Category Archives: Swamp Pop

I am the Blues Documentary Profiles Ponderosa Stomp Artists


Ultimate Southern Blues Road Trip Births New Documentary

How’d you like to take a road trip through the Mississippi Delta with Dr. Ike? When documentary filmmaker Daniel Cross wanted to meet the elder statesmen of Southern blues, he asked the good doctor to make some introductions. Together they criss-crossed the deep South for the next year and a half, stopping at juke joints and the homes of Ponderosa Stomp favorites like Lil Buck Sinegal and Barbara Lynn. Fortunately for us, Ike brought Stomp veterans David “Lefty” Parker and Scott Bomar to amp up some jam sessions, and Cross and his crew shot beautiful footage of the musicians and their towns, from Lafayette, Louisiana to Como, Mississippi.


Travel the Backroads with the Last of the Blues Devils

In the resulting film, I Am The Blues, the artists who’ve lived history tell their stories in their own words and music. The documentary, produced by EyeSteelFilm, made its North American debut at South by Southwest last month to enthusiastic reviews. As advertised, it “takes the audience on a musical journey through the swamps of the Louisiana Bayou, the juke joints of the Mississippi Delta and moonshine-soaked barbeques in the North Mississippi Hill Country.”

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Ponderosa Stomp Artists Profiled in I am the Blues

The movie offers portraits of more than a dozen artists, nearly all of whom have graced the stage at the Ponderosa Stomp. The best-known among them is Bobby Rush, a Louisiana native who was based in Chicago for decades but never stopped working the southern Chitlin’ Circuit. Rush, who has since moved back to the South, is our on-screen guide to the area, driving back roads and talking about the indignities and triumphs of making music under Jim Crow. The realities of race and economics are never far from the surface here–in a scene shot through a keyhole, Rush has to contend with a promoter who owes him money.

Bayou Fishing, Back Porches, Living Rooms and Crawfish Boils

I Am The Blues gives us music in context, from mossy cyprus trees to back porches to gravel parking lots. Stomp fans will relish the glimpses of these artists’ lives off-stage: Jimmy “Duck” Holmes opening the Blue Front Café in the morning, Lil Buck Sinegal sharing a worm with another bayou fisherman, the Reverend John Wilkins with his congregation in Hunter’s Chapel Church. When Dr. Ike brought the crew to RL Boyce’s house in Mississippi, Boyce was sitting on a guitar amp out front, with a harmonica player next to him and a drummer behind him in the grass. The film is full of intimate performances like this, including a jaw-dropper from Barbara Lynn, who casually shreds a gold-plated guitar in her Beaumont living room. Other times we see musicians playing for each other: at a crawfish boil in Lafayette, Carol Fran sings with her nonagenarian uncle Henry Gray on piano, and, later, Rush and Little Freddie King study L.C. Ulmer’s fingers as they skitter across the fret board of his guitar.

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A Poignant Look at “The Last of a Kind”

The documentary also shows that some of these artists are aging without the benefit of fair pay for their work (one featured musician, Bud Spires, passed away before the film was released), and the picturesque Southern landscapes include glimpses of a region still struggling with inequality. Cross’ achievement is making such a vivid record of this environment, and the unflagging vitality of these artists. Best to listen to them while we have the chance, and thank I Am The Blues for sharing their stories while we can still pay them their due, at the Stomp and beyond.

New Orleans Debut Screening of I Am the Blues on April 26 at Sync Up

The New Orleans debut screening will be part of Sync Up Cinema in New Orleans at 1205 N. Rampart at 8pm on Tuesday April 26, 2016. It’s free and open to the public.

I am the Blues Website.

There are deleted scenes, like a piano lesson from Allen Toussaint filmed not long before his passing, here.

I am the Blues Posters

Featured Ponderosa Stomp artists included in I am the Blues : Jimmy “Duck” Holmes, RL Boyce, L.C. Ulmer, Bobby Rush, Little Freddie King, Barbara Lynn, Lil Buck Sinegal, Henry Gray, Lazy Lester, Carol Fran. And cameos by Classie Ballou, Guitar Gable, Warren Storm, Jockey Eitienne, and CC Adcock

If You Can’t Dance To Zydeco, You Can’t Dance — Period

WRITTEN BY BEN SANDMEL The year 2015 sees zydeco entering its second half-century of global recognition. Fifty years ago, presenting zydeco at a roots-music event such as The Ponderosa Stomp would have been inconceivable. Back then zydeco could only be heard in southwest Louisiana and neighboring southeast Texas. Even there, on native soil, this exuberant … Continue reading If You Can’t Dance To Zydeco, You Can’t Dance — Period

Rod Bernard: This Should Go On Forever But It’s Not — One Night Only With Swamp-Pop Royalty

WRITTEN BY BILL DAHL “I don’t think that it’s the singer as much as it’s the song,” claims south Louisiana swamp-pop legend Rod Bernard. “The right song at the right time is what makes the hit. I think if Johnnie Allan or Warren Storm or Tommy McLain would have recorded ‘This Should Go On Forever,’ … Continue reading Rod Bernard: This Should Go On Forever But It’s Not — One Night Only With Swamp-Pop Royalty

Warren Storm: 7 Decades o’ Musical Gold With the Godfather of Louisiana Swamp and Roll

WRITTEN BY BILL DAHL Musical trends come and go all the time on a national level. But in south Louisiana, swamp pop is eternal. That’s been the happy case since the late 1950s, when a phalanx of young Cajun and Creole singers adopted rhythm and blues as their stylistic bedrock. Their combined legacy wouldn’t be … Continue reading Warren Storm: 7 Decades o’ Musical Gold With the Godfather of Louisiana Swamp and Roll

Gene Terry: Texas Cajun’s Ragged-But-Right Goldband Rockers Put the “Swamp” in Swamp Pop

WRITTEN BY BILL DAHL Most young singers dream night and day of nailing a major hit record. Not swamp-pop pioneer Gene Terry. Honing his stage presentation with his rocking band, the Down Beats, was his top priority during the late ‘50s. As far as Terry was concerned, his output for Eddie Shuler’s Lake Charles, La.-based … Continue reading Gene Terry: Texas Cajun’s Ragged-But-Right Goldband Rockers Put the “Swamp” in Swamp Pop